My Story

Zanny is a multidisciplinary artist based in Austin, Texas, whose work draws deeply from her Mexican, Kickapoo, and Irish heritage. Rooted in old-world techniques, her practice honors ancestral voices while pushing craft into the present. Through handweaving and goldsmithing, she preserves historical traditions, yet reimagines them through a modern lens. The result is a body of work that blurs the boundaries between art, culture, and fashion.

Zanny was born in Austin, Texas, and spent her childhood in the countryside, riding horses and living on a farm about two hours outside the city. From a young age, she was drawn to Native crafts like braiding and beading, often practicing on the manes and tails of her horses. She began bead weaving early, creating handmade gifts for friends and family, and later taught herself to weave textiles and work with precious metals.

Her art is a deeply personal exploration of ancestry and inherited knowledge, an ongoing dialogue with the traditions of those who came before her. When she's not weaving or hammering in her forge, Zanny enjoys spending time with her two teenage sons, reading Tolkien, and tending to her garden.

A woman with dark hair, wearing a long-sleeve shirt with a wave pattern, is adjusting a hanging textile art piece on a wall. The art features geometric and tribal motifs. A beaded fringe hangs from the textile, and the setting appears to be indoors with soft lighting.
A woman weaving on a traditional loom with a young girl standing beside her holding a remote control in a cozy home setting.
Woman with short dark hair, wearing goggles, sitting at a workbench in an artisan workshop.

Gem Legacy

Zanny’s passion for jewelry and gems were instilled at a young age by her Great Grandfather, “Paw Paw Murphy”. He and his brother, Uncle Joe, were some of the “old timers” who traded gems, minerals, and fossils in the early days of the Tucson Gem show. She recalls, as a child, experiencing the wonders of his home full of crystals. He taught her about gems, dinosaur poop (Coprolite) and let her borrow his Mineralogy poster for her first grade “show and tell”. The poster hangs in her metalsmith workshop, along with a multitude of gems and minerals he passed to her. She is proud to carry on the gem legacy of her family by using select heirloom stones in her current jewelry designs; and working with lapidary artists to bring to life the vast amount of rough gems from his collection.

A display chart with various minerals and gemstones, each labeled with names and locations.
An elderly man wearing a cap and glasses crouches by a riverbank, holding a black bucket filled with water, surrounded by rocks and nature in the background during daylight.

Artisanal Lineage

Zanny deeply values the importance of honoring her ancestry and the generations of skilled hands that came before her. Growing up watching her father craft custom woodworking, she quickly recognized the immense value of mastering a hand skill. Her Great-Grandfather, Joe, a talented watchsmith, passed down many tools that she continues to use in her metalwork today. With each piece she creates, she pays tribute to her family’s legacy, history and the craftsmanship that has shaped her journey.

Person using a red pipe vice to hold a small piece of material, with hands adorned with tattoos and jewelry, including rings and a chain bracelet.
Close-up of a person's hands working with a small mechanical device and precision tools.